Mana Mass Conversation
with Jennifer Inacio of Pérez Art Museum Miami
Join Perez Art Museum Miami (PAMM) Assistant Curator Jennifer Inacio in conversation with writer and curator Sara Raza for a discussion on art, collection building, and curating as it overlaps with research, science, and technology. The talk will also provide a special opportunity to learn about the PAMM collection, and to take a deeper dive into Inacio's thinking around two of her recent exhibitions, Felice Grodin, Invasive Species and Pedro Neves Marques, A Mordida (The Bite).
Mana Mass is a membership-based career development platform for artists and art professionals. Rooted in the power of shared information and resources, it is a powerful network of advocacy and support with Mana Contemporary as its base. Find out more and sign up for membership at manamass.com.
Jennifer Inacio is Assistant Curator at Pérez Art Museum Miami (PAMM), where she most recently curated Pedro Neves Marques: A Mordida (The Bite). Her other curated exhibitions include Felice Grodin: Invasive Species (2017–19) and The World’s Game: Fútbol and Contemporary Art (2018, with Franklin Sirmans). She has also coordinated PAMM exhibitions including The Words of Others: León Ferrari and Rhetoric in Times of War (2018, curated by Ruth Estévez); and Julio Le Parc: Form into Action (2016, curated by Estrellita B. Brodsky). In 2017, Inacio presented the film series Black Audio Film Collective at PAMM, and recently helped coordinate an acquisition of works from the Sackner Archive of Concrete and Visual Poetry. Inacio holds a BA in Art History from Florida Atlantic University and an MA in Contemporary Art Theory from Goldsmiths College, University of London.
Sara Raza was the Guggenheim UBS MAP Curator for the Middle East and North Africa, and recently organized the exhibition But a Storm Is Blowing from Paradise: Contemporary Art of the Middle East and North Africa. Formerly, she was Curator of the Maraya Art Centre in Sharjah, United Arab Emirates.
Photo: Pedro Neves Marques. Production still of A Mordida (The Bite), 2018. Digital color video transferred from Super 16 mm, with sound. Courtesy of the artist and Galleria Umberto di Marino